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The Melancholy Boy and the Religion of Humor: The Case of S. S. Adams

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Abstract

Drawing on earlier writings (Capps, Men, religion, and melancholia: James, Otto, Jung, and Erikson, 1997, 2004) in which I argue that male melancholia has its origins in the boy’s emotional separation from his mother at age 3–5 years old, and that the three main forms of male religion—honor, hope, and humor—are responses to this loss, I focus in this article on S. S. Adams, the inventor of several practical jokes, as an illustration of the religion of humor. I suggest that Adams, son of Danish immigrants, coped with his melancholia through the invention of practical jokes, including the Dribble Glass, the Razzberry Cushion, and the Joy Buzzer. I contend that these inventions have similar iconic value in the religion of male melancholia to the prayer cards, rosary beads, and votive candles of traditional Christianity. I also propose that the S. S. Adams Factory in Neptune, NJ, USA may be viewed as a pilgrimage site for devotees of male melancholic religion.

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Correspondence to Donald Capps.

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Capps, D. The Melancholy Boy and the Religion of Humor: The Case of S. S. Adams. Pastoral Psychol 58, 15–25 (2009). https://doi.org/10.1007/s11089-008-0166-6

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  • DOI: https://doi.org/10.1007/s11089-008-0166-6

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